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The Song of Push Hands (Da Shou Ge) is a Taiji Quan classic written in the form of a traditional style poem. Describing basic push hands principles and skills, it is among the earliest writings on Taiji Quan and respected by all practitioners.
Today there are two versions of Da Shou Ge. One version contains six sentences and the other contains four. The six-sentence Version A is generally credited to Wang Zong Yue, passed down from Wu Yu Xiang to Li Yi Yu, and then onto others. The four-sentence Version B was discovered recently in Chen Village, passed down in the village for many years. The basic meanings of the two songs are similar. Some speculate that Wang Zong Yue learned the old song from Chen Village and then added more to make it better. Others think Chen Village practitioners learned the song from Wang or Wang’s lineage, but lost some of the words later. Regardless of the historical debate, the six-sentence Version A clearly offers a more complete view on Taiji Quan, so historically it has been the overwhelmingly favorite version. This article will examine both versions with an eye to practical insights for push hands training.
1. Da Shou Ge of Wang Zong Yue (Version A)
Wang Zong Yue is widely believed to have made major and lasting contributions to the development of Taiji Quan principle. His Discussion of Taiji Quan Theory (Taiji Quan Lun) is generally regarded as the foremost classic on Taiji Quan principle. Besides that article, he is also believed to have written “On the Various Names of Taiji Quan (Taiji Quan Shi Ming)”, “The Song of Thirteen Postures (Shi San Shi Ge)”, as well as “Da Shou Ge (The Song of Push Hands).” Although today we do not know the details of his life, he is believed to have been an excellent Taiji Quan master.
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The Manual of Taiji Quan of Wang Zong Yue was found in Wuyang County of Henan province in 1856. Wu Chen Qing, the county governor at the time, discovered it in Yandian, a this copy to his younger brother Wu Yu Xiang, a student of Yang Lu Chan and Chen Qing Ping. Wu later passed it onto his nephew and student Li Yi Yu. Li made four hand-written copies and distributed them to his brother and students. his Today these copies are the only versions available. Wang’s version of Da Shou Ge goes like this:Today these copies are small town in that county. Subsequently Wu Chen Qing gave version of Da Shou Ge goes like this:this copy to his younger brother Wu Yu Xiang, a student of Yang Lu Chan and Chen Qing Ping. Wu later passed it onto his nephew and student Li Yi Yu. Li made four hand-written copies and distributed them to his brother and students. Today these copies are the only versions available. Wang’s version of Da Shou Ge goes like this:
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Peng Lu Ji An Xu Ren Zhen Shang Xia Xiang Sui Ren Nan Jin
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Translation: Peng (Ward off), lu (rollback), ji (push), and an (press) 1 should be practiced seriously. Follow your opponent whichever direction he is heading, making it difficult for him to find an opening for attack.
Note: 1 Peng, lu, ji, and an are the basic push hands skills. Sometimes they are called si shou – four hands (it is common to call each skill a “hand”), or si zheng – four cardinal directions (the four basic directions in Bagua, which is part of the Taiji principle). There is a practice routine for these four skills in every style of Taiji Quan. People believe it to be a classical form passed down from a very early time. From practicing this form one can understand the essence of basic applied Taiji Quan skill. Peng, lu, ji, and an are the most basic Taiji Quan tactical skills, so here they stand for Taiji Quan skills in general.
2 Specifically the Chinese words used here are “follow up and down”, some interpret that to mean “when the movements of upper and lower body are linked together.” However, in classical Chinese, the phrase refers to all movements in general, regardless of direction.
Key Point Explanation: When you practice these basic push hands skills, you should focus and pay close attention to every detail of your movements. Do not overlook anything, not matter how small. Try to bring awareness to tiny details. Following is the most important applied skill in Taiji Quan. If you can follow your opponent no matter what he does, you can then truly feel and know everything he wants to do, and then you have a chance to make him miss his target. Do not let him feel your intention or give him any opportunity for attack.
Analysis: Together peng, lu, ji, and an form the basic push hands practice routine, the most common and at the same time the most important applied practice in Taiji Quan. Although the movements themselves are not very complex, correct practice of these skills brings great benefits. Usually people say hard practice of these movements will lead to the beginning of one’s understanding of Taiji Quan, so every group pushes their students to practice this routine long and hard. It is said one should do a thousand circles of peng-lu-ji-an push hands per day for three years before learning any other skill.
During practice, you should pay great attention to all of the details. Be especially careful about the application of internal components – shen, yi, qi, and jin with your movements. Usually there are several stages to the practice: First, you should learn to do all movements correctly, before practicing long and hard. You should concentrate on relaxing and making the movements smooth. Maintain constant but light contact with your partner, do not use brute force. Please remember this is not a real fight but practice, where the objective is to acquire basic skills. The emphasis is not on winning or losing, but on using Taiji Quan principles in all your movements. Training this way will help you develop sensitivity and the ability to relax deeply. That in turn will help you develop a true ability to follow. If you can really feel and follow your opponent, he will have a difficult time finding a chance to get you. Then you will have a greater chance to get him. This is a very important concept in Taiji Quan.
According to the Daoist wuxing principle, when one stands stable and centered, one becomes like the earth. Everything comes from the earth, so the four basic skills are generated. Traditionally, the following attributes are ascribed according to wuxing: peng in north, its attribute is water; lu in south, its attribute is fire; ji in east, its attribute is wood; and an in west, its attribute is metal. In this way the four basic tactics correspond to the primary Bagua, where peng is kan; lu is li; ji is zhen; and an is dui. Accordingly, the technical attributes of the skills must follow their corresponding principles.
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Ren Ta Ju Li Lian Da Wo Qian Dong Si Liang Bo Qian Jin
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Translation: Let him bring overwhelming force against me, I will lure him to make the first move1 and then use only four ounces force to move a thousand pounds.
Note: 1 The Chinese word here is qian dong, which means to use a small force to move a large object under specific circumstances. A good example for this idea is looping a ring through the nose of a bull, then even a small boy can control a large animal. The key is the placement of the ring, otherwise it will be very difficult to control the bull.
Key Point Explanation: No matter how strong your opponent is, his powers are wasted if they do not get applied to your body. As soon as he moves, you will have the chance to find his weakness and exploit it. With the right timing and direction, you can manipulate a large weight or force using very little effort on your part. Here four ounces and a thousand pounds refer to the general concept of small versus large force, the exact numbers or ratio does not really matter.
Analysis: A common mistake for a lot of people is that they focus too much on "using four ounces to move a thousand pounds" part. That alone is not sufficient, pay attention to the phrase "lure him to make the first move". Only when a large weight or force gets moving do you get a chance to find the weak point and move it. This is what Taiji Quan skill seeks to accomplish.
An even worse case of misunderstanding occurs when people interpret this phrase to mean “use only four ounces to defeat a thousand pounds.” That does not make sense and confuses people. In reality, only when you can apply your force at the right time in the right direction can you have a chance to use small force to defeat a large force.
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Yin Jin Luo Kong He Ji Chu Zhan Nian Lian Sui Bu Diu Ding
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Translation: Lure him in to fall into emptiness1, then integrate and release your whole-body power (he) to throw him down. Use zhan (sticking up), nian (adhering to), lian (linking to), and sui (following with), and never do diu (lose connection or no enough) or ding (resist directly against a force or too much).
Note: 1 Luo kong –falling into emptiness is a technical term in Taiji Quan. It means to make the opponent’s force miss its target – your body, and meet emptiness instead, like falling into a trap, and causing him to lose his balance. Taiji Quan at its highest level seeks to have this effect everywhere.
Key Point Explanation: Lure your opponent into committing his forces by offering him a target, and when you move that target and his force misses, that will cause him to lose balance. This is called lure him in and let his force meet emptiness. At this moment, gather all your internal forces to defeat him. When an opponent has already lost his balance, you can throw him very easily. How is this accomplished? It is the result of using the basic Taiji Quan skills. Zhan, nian, lian, and sui are the most basic skills; diu and ding are the most common mistakes. Here the sentence tells us to perform Taiji Quan using zhan, nian, lian, and sui, avoiding diu and ding. Together it means try to do all skills correctly and avoid the mistakes (i.e., diu and ding).
Analysis: “Lure the opponent in to fall into emptiness” is the main idea of Taiji Quan. In fact we can say no matter what skills we use, this is the ultimate effect we want to achieve. In practice, how to lure your opponent in is the key point. To lure is not to simply move away. It is not a dodge, and it is not running away either. You should let your opponent feel like he can get to you, that he can use his force on you. When his true force comes out, you should keep him going. Little by little, you can lure him to lose his balance. Here the common misunderstanding is that you are physically moving your body away. True Taiji Quan skill involves keeping in touch with the opponent, but not allowing his force to have any real effect on your body. So most of the time the physical movement itself is very small and brief, so subtle it cannot be seen clearly. The feelings involved in this process are very nuanced. In the beginning, you try to lure his force out, when he starts to lose his balance, the touching point between you and him become a point he wants to use to keep his balance. To keep his balance, he will become more dependent on the point of contact. He will apply more force on it, giving you more opportunity to control him and let him lose even more balance. So it looks like in the beginning you follow him and then he just falls under your control and follow you.
This is one of the high level skills in Taiji Quan. Only when you can do this well can you create the moment that allows you to throw the opponent with the least effort on your part. When you release your force to throw the opponent, no matter how much you use, it should be whole-body force. Whole-body force does not mean using the maximum force you have in your body, it just means the force has to come from all parts of the body. For releasing force or jin, there are two common concepts involved –opening (kai) and closing (he). Opening is about xu – the storing, charging, gathering, and integration of internal force. That means you should give the opponent a chance to come in and try something. That will give you a chance to control him. So “lure him in and off-balance him” is opening. At the same time, you should store your force and prepare to launch it. Closing is about fa – the releasing of internal force. That means releasing your whole-body internal force in the right direction at the right time. It should be noted that in real application, most of the time opening and closing cannot be separated clearly, sometimes they occur simultaneously.
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The four basic skills that characterize correct Taiji Quan push hands are zhan, nian, lian, and sui. All techniques of Taiji Quan are based on some combination of these attributes/skills. If you do not use these skills, then you are not doing Taiji Quan. Good sensitivity is the basic gongfu underlying all of these skills, and these four skills are foundation of all other Taiji skills.
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Zhan: it is not just sticking, but a specific type of sticking, like when something is stuck on the bottom of something else. Guide your opponent and have him under your control, when this is achieved, it will looks like he is stuck to your hand. When you can do this well, your can make your opponent’s body leave the ground using his own power alone and bounces him off easily. Zhan is a skill for uprooting your opponent. Although zhan is normally sticking in an upward direction, it can be applied in any direction. It happens whenever your opponent is losing his balance, and in desperation is trying to use your body to right his balance. To do zhan well you need to have really good basic gongfu: sensitivity, coordination/integration, understanding of Taiji principle, etc. So zhan is a skill people always use to gauge a person’s Taiji Quan skill.
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Nian: it means to stick, adhere, or paste to. It means maintaining contact with your opponent's body, and from this touching give him trouble and put him in uncomfortable positions. Do this while not letting your opponent get away, as if you are glued to his body. Be careful though, it does not mean you should use big power to forcibly hold your opponent. Instead, the touch is very light. When applying this technique, use the minimum amount of force possible. It is said, keep making trouble a little bit at a time, do not stop until these little bits accumulate into big problem for the opponent.
In pushing hands, when you touch your opponent, you should give him some trouble. Do not make it too big, just enough to force him to respond. From his reaction you will know what to do next. If there is no opening, keep doing nian, that means follow him, and give him more trouble, and wait for him to give you more reaction. The important things here are to never let the opponent get away, and sensing the opening for you to change and attack.
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Lian: There are two meanings here: one is to continue, meaning you maintain constant connection to your opponent. The other is to follow and change continually, seamlessly going from one technique to another like links on a chain. There are no breaks or gaps in your thoughts or movements, never giving your opponent a chance to change and adapt. Link all changes one by one, never stopping. The most common change here is the change in the direction of your force. One way to accomplish lian is to move in arcs or circles. Lian is different from nian. Lian by itself does not involve giving trouble to the opponent, lian is just about maintaining contact with the opponent and waiting for an opening.
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Sui: It means following, following the opponent's physical movement and thoughts. At all times, give him the illusion that he can get you. Lure him to use some technique on you and get him to commit. As long as you can remain relaxed, you can sense and feel his intentions. To do sui you really have to relax your body. Follow the timing and direction of the opponent's force, whatever he does, do not let his force affect your body. It does not mean stopping his force directly with yours before it touches you; rather, it means do not let him find a point on your body to apply his force.
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Be careful, both lian and sui include the meaning of following, but most of the time lian means to follow the opponent and never let him run away, so there is a sense of chasing involved. Whereas in sui, following means following the opponent and do not let him get and control you; so here following usually refers what you do in response to his attacks.
In actual application, these four skills are not used separately. Zhan, nian, lian, sui are always combined and used together. All other Taiji Quan skills will include some of these basic attributes. In Taiji application, there are two types of common mistakes to be avoided: diu and ding.
Diu: disconnect, lose contact, it means the opponent can get away or you cannot find him anymore. This in turn means you cannot feel him well. In zhan, if your hand leaves too early, the opponent's reaction force will not be big enough to follow your movement, and you lose the chance as a result, this is diu. In nian, if the opponent had time to respond appropriately to your movement, that means you have failed to keep giving him trouble, it is also diu. In lian, you lose the contact point and let the opponent get away, again, this is diu. In sui, if you are too weak, the result is diu. In all cases, if you do something and it is not enough, whether it occurs in the mind or in the body, it is diu. The concept of diu is also call bu ji – no enough, falling short, less than required.
Ding: resist or pushing hard against the contact point, meaning you cannot follow the opponent but he can feel and get you. It means you cannot relax well, you do not have good sense of timing and direction. In zhan, if you do it too late, the opponent's reaction force goes into your body, this is ding. In nian, when trying to follow the opponent you push him too hard, giving him a chance to get you, this is also ding. In lian, if you do too much with your mind trying to follow the opponent, it is ding. In sui, if you cannot relax and push your opponent away, the opponent will get you, this is also ding. In all cases, if you do too much of something, whether mentally or physically, it is ding. The concept of ding is also called guo – too much, overshooting the target, more than required.
Usually, when doing nian and lian, it is easy to lose the connection (diu). When doing zhan and sui, it is easy to apply too much force at the contact point (ding). Lian and sui are basic gongfu; you must relax, be flexible, and have good sensitivity. Zhan and nian are basic techniques; you must know correct timing and direction. Only when you can do lian and sui well, can you do zhan and nian.
Traditionally, it is recommended that: First, study how you can follow your opponent, that means do not let him get you, this is sui. Second, try to follow him, and never let him get away, this is lian. Third, try to connect with him with minimum force, this is nian. Fourth, try to control him with the least amount of effort possible, this is zhan. So the whole process goes from you following him to him following you, from getting away from his control to controlling him.
The most important key to all four of these basic skills is relaxing at the point of contact. Being neither too light so that you actually lose the connection, nor being too hard so that you are using simple brute force to maintain the connection. These are the two common problems of diu and ding. If you cannot avoid these problems, you can never do the four basic skills well. So in push hands practice, you should study to do sui first, from sui you can go on to try nian; keep try to do lian every time, and then try to find chances to use zhan. If you can master all four of these skills, you will be a good martial artist. To combine these with other Taiji Quan skills, you can do very well.
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2. Da Shou Ge of Chen Village (Version B)
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Although Yang Lu Chan learned Taiji Quan from Chenjiagou Village, some people question if Taiji Quan was created originally in Chen Village. One reason is that in the village there is not any classic passed down besides Da Shou Ge from early times. Chen Village’s version of Da Shou Ge goes like this:
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Peng Lu Ji An Xu Ren Zhen Yin Jin Luo Kong Ren Ren Qin
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Translation: Peng (ward off), lu (rollback), ji (push), and an (press) must be practiced seriously. To lure him in and fall onto emptiness, so no matter how he comes or what he uses.
Key Point Explanation: As basic push hands routine, these four skills must be practiced seriously and carefully. The main idea of the skill is following your opponent, never resist. From following to lure your opponent in and let him fall onto emptiness. Taiji Quan does not use force to against force directly no matter how strong you are.
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Zhou Shen Xiang Sui Di Nan Jin Si Liang Hua Dong Ba Qian Jin
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Translation: To follow the opponent whatever part of your whole body, it becomes difficult for the opponent to find an opening for attack. Use four ounces force to redirect and move eight thousand pounds1.
Note: 1 Here eight thousand pounds does not really mean that much. It is written in this way just because the rhyme of the poem requires it. The true meaning of the sentence here just means to use a small force to defend against a big force.
Key Point Explanation: Following your opponent is very important of Taiji Quan and is emphasized again here. If you can follow well, it will create difficulties for your opponent to find a chance to attack you. Only when you can follow well, will you have chance to use a small force to defeat a big force. It is true Taiji Quan skill.
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3. Comparison of Two Versions:
Forget all historical arguments about versions and authors. Here we just simply compare the meaning of these two versions (Version A – six sentences; Version B – four sentences):
1. The first sentence in both versions are exactly the same. 2. The second sentence of Version A and the third sentence of Version B are very similar. 3. The third and fourth sentences of Version A expresses the same meaning as the fourth sentence of Version B. But Version A has more clear meaning. 4. The first four words of the fifth sentence of Version A (“lure him in to fall into emptiness”) are same as the first four words of the second sentence of Version B. The rest of that sentence in Version A emphasizes how to release force when the opponent is off balance. But in Version B, the rest of the sentence just talks about being soft and following. In comparison, it does not connect very well with the preceding part. 5. The sixth sentence of Version A does not appear in Version B. This sentence is really important because it identifies the most important basic and typical Taiji Quan skills: zhan, nian, lian, and sui, as well as pointing out the most common mistakes of Taiji Quan practice: diu and ding. But these points are totally absent in Version B.
From this comparison, we can say that although the six-sentence Version A contains more detailed meaning than the four-sentence Version B, there is obviously a connection between them, and that they must share a common source.
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4. Commentary:
The Da Shou Ge is one of the most important classics from the old times. This short poem discusses many crucial concepts in Taiji Quan practice. It tells us that the basic techniques of peng, lu, ji, and an were practiced from a very early time. It documents in writing for the very first time the practice of these specific techniques in Taiji Quan. All of the basic skills: zhan, nian, lian, sui, as well as the corresponding mistakes: diu and ding, are described. So these concepts were developed a long time ago, and over time, little by little, the different schools used these ideas and refined them. Here they are described with perfect clarity for the first time, and explicitly identified as the foundation of all Taiji Quan skills. Also, some major Taiji Quan application concepts are offered as well, like following up and down, lure the enemy in and fall into emptiness, use four ounce force to move a thousand pounds. They paint a clear picture of applied Taiji Quan skill.
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